The story of people who came to scatter the ashes of a deceased husband/father over the sea
The story of people who crossed the Pacific in the distant past
The story of a solar eclipse observed in Paraguay
The story of one man who is still digging up the bones of war dead in Okinawa
And another who runs a bar in Ogasawara
A work of "theater as messenger" interweaving episodes Kamisato collected by himself in his travels in Oceania, Ogasawara, the Ryukyu Islands, and Latin America.
Having established his own theatrical language while attracting attention in literary circles too, Kamisato cuts open the history of "migration" in this new work.

The story was woven by Kamisato from his experiences traveling to various parts of South America during an 11-month stay in Argentina. It is performed by the Argentine actors and dancers he encountered, and Eduard Fukushima, a dancer of who was born into a family of Japanese immigrants in Brazil and has come into the limelight in Europe as well. Coming from the opposite side of the earth, they tell the story of the play in their own words.

The jumbled, atypical space of the seating area, which contains a bunk bed, church, and even stalls, was designed by the architectural unit dot architects. The stage is given a phantasmic coloring by the backdrop, which was designed by Midori Hirota of Kantaro, a sign company. In the context of these weird match-ups, the members of the audience freely find a place for viewing the play.

" Of the various functions theater has, I have a keen interest in that of "reporting". One person speaks words that he said he heard from another, and yet another person listens. You imagine the person that is the subject of this hearsay, and it affects your own speech and behavior. As I see it, this cyclic chain of reporting is at the very roots of theater.
The characters in this work are messaging each other. These messages become layered and deliver the entire play to the audience as one big hearsay report. It is the story of migration - a migration not only from one land to another but also from life to death, and from death to life. The sedimented layers of migrations are carried on and make history. In short, the work is this kind of "reporting" play. "
 

" Born in South America, Kamisato creates an unparalleled world reflecting his unique background, through plays that only he could write. "
- Hideki Noda

" A sphere of interest is not limited to national borders. Although it is not necessarily physically difficult to do, few put this into practice. Kamisato is one of the practitioners. He is one of those who can open up the Japanese language and theater performed in it. He writes in a way that breathes new life into the Japanese language and Japan. "
- Toshiki Okada